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ID: 2fc38cff-e4bd-4d27-95a0-76b8803c96bd - The journey motif, childhood, race and nation in Sandra Braude’s Mpho’s search (1994)
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108
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ID: df5ae97b-8159-41ec-8194-b9122261793e - Fictions, nation-building and ideologies of belonging in children's literature: an analysis of Tunzi the Faithful Shadow
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61
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ID: 2654fdba-bd52-4537-842e-0d7f7c1d5b5c - Discursive displacement, strategic peopling: constructions of self-identity and nation in Ian Douglas Smith's Bitter harvest: the great betrayal and the dreadful aftermath and Peter Godwin's Mukiwa — a white boy in Africa.
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59
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ID: a17b2df4-5a0a-424a-870d-722aebce3cc8 - Mediation of the Black African identity through social media humour
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58
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ID: fa7b2936-c72a-409e-8e3e-b22716bca389 - Violence and the postcolonial state: an analysis of Christopher Mlalazi’s Running with mother, They are coming and Noviolet Bulawayo’s We need new names
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58
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ID: bf002bf0-a35e-4c3f-af0a-34b1f69bd6d3 - Endangering the endangered: impact of fake Covid-19 social media communications in Zimbabwe
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54
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ID: a8dfacbf-5271-4266-9baa-24c3e98cb004 - A content analysis of literary evidence of slave trade in Zimbabwe focusing on Zimbabwean women’s trafficking to Kuwait.
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52
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ID: 4994d498-6441-40d9-8404-71987c9c74bb - Drama and the struggle for social change Zimbabwe: the case of Tsitsi Dangarembga’s She Nolonger Weeps, George Mujajati’s The Wretched Ones and Raisedon Baya and Leonard Matsa’s Super Patriots and Morons,
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50
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ID: 7a7d05cd-dad9-4d13-8d64-43605463cfc9 - Facebook as an alternative public sphere: online discussions of bond notes in Zimbabwe
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50
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ID: b7c0e66c-e12d-4e76-86a1-64f9bb5cb2a3 - A literary approach to the human rights discourse: the case of Zimbabwean literature
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50
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ID: 8b3ab274-89a2-48ef-bde0-ce6adb93f575 - Zimdancehall: a rising platform in addressing socio-political injustices through lyrics.
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49
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ID: 777c5e8e-c9e2-47e5-8b50-25720622bee1 - What's up with Whatsapp profile pictures and statuses ? a multimodal approach
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48
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ID: c89d6e61-d113-4068-8789-cef471f7e38f - ‘Remaining a man…’ representations of the constructions of men and masculinities in contemporary Zimbabwean literature: an analysis of Tagwira’s The uncertainty of hope (2006); Chikwava’s Harare north (2009) and Nyota et al’s Hunting in foreign lands (2010).
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48
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ID: 67bf5472-ea86-4685-b51d-0193fc9a36ce - A critical analysis of prisons as discourse communities: an examination of Whawha prison complex.
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47
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ID: 7821f8cb-6d17-4c24-bb55-88390dcaefa9 - An exploration of the metaphor of a lost home in the post 2000 Zimbabwe. A case of Valerie Tagwira’s The Uncertainty of Hope (2006), NoViolet Bulawayo We need New name, (2013) and Pettina Gappah’s An Elegy for Easterly (2009).
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47
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ID: a740e967-1fd8-4c17-882b-261eb1230fc0 - The feminization of poverty: A critical analysis of Bones (1988) and The Uncertainty of Hope (2006).
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47
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ID: 466354b5-0f95-4d44-8a82-16a0e3c15272 - Return migration, space and identity in Daniel Mandishona’s White gods black demons (2009)
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46
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ID: 6e6249a0-0c3a-4eff-9a1f-b51c28191f4f - Communicating loss through #bringbackourgirls images on twitter
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46
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ID: 72c6d10b-44ac-44a6-9b2d-c962037e3a8d - Colonial heterotopia as metanarrative in white rhodesian writing: a post-millennial reading of Peter Godwin’s Mukiwa: a white boy in Africa.
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46
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ID: ac299a1b-d094-40ec-8a93-96759d71a9c8 - Shifting gender roles: A critical analysis of Tsitsi Dangarembga’s Nervous Conditions (1988) and Petina Gappah’s An Elegy for Easterly (2009).
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44
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ID: 42a102a7-2830-43fb-99cc-52a9f0c42801 - Mama Jack and the Spectre of makwerekwere
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43
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ID: 99017207-585a-4643-a9e8-8da2f51a84ad - Contesting the feminist paradigm in Tsitsi Dangarembga’s texts: an africana womanist reading of She no longer weeps, nervous conditions and the book of not
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43
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ID: 1b4a9e74-c98a-4c47-bd72-c91e3b60ac77 - Identity construction or obfuscation on social media: a case of Facebook and WhatsApp
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42
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ID: 32e282ca-1071-4b89-b7b0-298706ee441c - The vulnerability of both genders in HIV and AIDS narratives: a study of Lutanga Shaba’s Secrets of a Woman’s Soul (2006), The Haunted Trail by Philip Chidavaenzi (2012) and Valerie Tagwira’s The Uncertainty of Hope (2006)
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42
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ID: f95d9572-4f68-4e6d-a8ca-1965af557819 - Wakasikirei Satani? Christian subversion in sungura discourse
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42
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ID: 5a801d80-48bf-439a-be21-a93c5dacf235 - An analysis of intertextual entanglements in Shimmer Chinodya’s Chairman of Fools
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41
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ID: f1e7b143-1487-4bf2-ab18-943a42ff8edb - The liberating role of stand up comedy in exposing socio-political concerns: an analysis of Kate William’s Katepakalypse and Trevor Noah’s That’s racist
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41
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ID: 5f576830-1a9c-46bd-9b1f-f777bb106f94 - Engaging the regime of comedy: An analysis of the representation of “blackness” and “whiteness” in Leon Schuster’s: There is Zulu on My Stoep (1993) and Mr. Bones 1 (2001).
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40
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ID: 6f3de0c1-3c17-4faa-bdac-b36b01f9e625 - White female experiences of the Zimbabwean liberation war: Patricia Charter’s Crossing the boundary fence, Sylivia Bond Smith’s Ginette, Partridge’s To breathe and wait.
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40
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ID: 160eff09-7201-4403-ac8a-5e8c3e2ba62e - An exploration of the destructive impact of the construct of physical beauty on the African American woman. An analysis of Toni Morrison: The bluest eye (1970) and Zora Neale Hurston: Their eyes were watching God (1937)
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39
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ID: cba1b8af-b8ee-4856-b999-1d16486f3b71 - WhatsApp coup jokes and the dialogue on Zimbabwean politics
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39
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ID: 26c3e2b4-e18c-4157-95ab-f438b41d1d4b - Lifting the veil: white zimbabwean writing and the treatment of double consciousness in Doris Lessing’s The grass is singing (1950), John Eppel’s Absent: The english teacher (2009) and Andreas Eames’ The cry of the go- away bird (2011)
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38
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ID: d0ce8f24-e5b6-4bee-bc8b-abbdc5e7568a - The ‘reporter voice’ and ‘objectivity’ in cross linguistic reporting of ‘controversial’ news in Zimbabwean newspapers. an appraisal approach
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38
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ID: 5b69d950-95ae-41f1-8c64-311afc84eced - Mythicised selves: constructions of political self Identities in Nkomo's The Sun) of My Life (1984) and Tekere's 'A Lifetime of Struggle (2007)
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37
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ID: 664ac9ae-3880-45e8-99db-5dfef1fcf40f - The search for utopia in NoViolet Bulawayo’s We Need New Names (2013).
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37
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ID: 6e943130-86f7-438b-86e6-f0f261dac54a - Death, I choose
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37
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ID: b23dabd4-1bda-46ca-842a-b77b98a538e6 - Feature conditioned resolution of hiatus in Chichewa
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37
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ID: 3c2be8c7-ee5a-4acf-a083-44555aaa9375 - The dialogic relationship between mass media and society: an assessment of triadic reciprocal determinism of Zimbabwean mass media websites
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36
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ID: 3ccdc5d9-44f5-4699-9674-a1ffc0e87e43 - The discursive construction of blackness on WhatsApp status post updates in Zimbabwe
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36
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ID: 764ca1dd-0514-4763-8ca6-60a46e0f0d86 - Contesting narratives: constructions of the self and the nation in Zimbabwean political auto/biography
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36
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ID: d500f933-aa16-4746-9358-daba1998f125 - Monsters or victims: an analysis of the African child soldier as depicted in Chris Abani’s song for Night, Emmanuel Dongala’s Johnny mad dog and Ieweala Uzodinma’s beasts of no nation.
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36
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ID: 515ddfd9-c3af-469c-a0ea-7bafdfc29e71 - Exploring the digital space as a site of literary creation
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35
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ID: 6f8dc5d9-f7fa-4b18-9c54-49a2aa8ffc66 - WhatsApp jokes and the dialogue on Zimbabwe’s 2017 Coup
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35
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ID: 96c49919-6494-403c-ae4b-783580174071 - Ideology and the representation of black male characters in selected african american literary texts: Bontemps’s Black thunder; Wright’s Black boy; Walker’s The third life of Grange Copeland and Morrison’s Song of Solomon
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35
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ID: a883f736-be77-44aa-9f4c-940f2797a0ac - An appraisal of the three political principals' speeches on the occasion of the signing of the Global Political Agreement of 15 September 2008
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35
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ID: b3354d9c-bf95-40bf-ab15-7db3187a108a - Inscriptions of political consciousness in childhood memory in Wole Soyinka's 'Ake: the years of childhood'
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35
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ID: cb4d00e0-975c-4efc-bfe1-4a11115445b3 - Vulgar acts of entrenchment:The depiction of the Zimbabwean postcolony in Chenjerai Hove's 'Palaver finish'
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35
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ID: d7cc9368-d67d-422c-b89b-5654ff1f41f8 - `Subjectivity' in newspaper reports on 'controversial' and `emotional' debates: an appraisal and controversy analysis
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35
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ID: c2007cc8-6f69-472a-8dc7-dbd85839b23c - (Re)construction of valentine’s day on social media platforms: a study of messages circulating on whatsapp around valentine’s day.
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34
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ID: 1f1580d7-ef81-4633-bbbc-85d6ec2304fb - Perspectives of Zimbabwe–China relations in Wallace Chirumiko’s ‘Made in China’ (2012) and NoViolet Bulawayo’s We Need New Names (2013)
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33
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ID: 4bf27dcd-37c8-4ab6-963f-272177552daf - Exploding the strictures of patriarchal myths: representations of self and collective identities in the context of HIV and AIDS in Tendayi Westerhof's Unlucky in Love
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33
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