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ID: 2fc38cff-e4bd-4d27-95a0-76b8803c96bd - The journey motif, childhood, race and nation in Sandra Braude’s Mpho’s search (1994)
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144
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ID: bf002bf0-a35e-4c3f-af0a-34b1f69bd6d3 - Endangering the endangered: impact of fake Covid-19 social media communications in Zimbabwe
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86
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ID: a17b2df4-5a0a-424a-870d-722aebce3cc8 - Mediation of the Black African identity through social media humour
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85
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ID: df5ae97b-8159-41ec-8194-b9122261793e - Fictions, nation-building and ideologies of belonging in children's literature: an analysis of Tunzi the Faithful Shadow
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82
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ID: fa7b2936-c72a-409e-8e3e-b22716bca389 - Violence and the postcolonial state: an analysis of Christopher Mlalazi’s Running with mother, They are coming and Noviolet Bulawayo’s We need new names
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80
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ID: 2654fdba-bd52-4537-842e-0d7f7c1d5b5c - Discursive displacement, strategic peopling: constructions of self-identity and nation in Ian Douglas Smith's Bitter harvest: the great betrayal and the dreadful aftermath and Peter Godwin's Mukiwa — a white boy in Africa.
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78
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ID: 4994d498-6441-40d9-8404-71987c9c74bb - Drama and the struggle for social change Zimbabwe: the case of Tsitsi Dangarembga’s She Nolonger Weeps, George Mujajati’s The Wretched Ones and Raisedon Baya and Leonard Matsa’s Super Patriots and Morons,
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76
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ID: 7821f8cb-6d17-4c24-bb55-88390dcaefa9 - An exploration of the metaphor of a lost home in the post 2000 Zimbabwe. A case of Valerie Tagwira’s The Uncertainty of Hope (2006), NoViolet Bulawayo We need New name, (2013) and Pettina Gappah’s An Elegy for Easterly (2009).
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76
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ID: 7a7d05cd-dad9-4d13-8d64-43605463cfc9 - Facebook as an alternative public sphere: online discussions of bond notes in Zimbabwe
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72
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ID: 466354b5-0f95-4d44-8a82-16a0e3c15272 - Return migration, space and identity in Daniel Mandishona’s White gods black demons (2009)
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71
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ID: 6e6249a0-0c3a-4eff-9a1f-b51c28191f4f - Communicating loss through #bringbackourgirls images on twitter
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71
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ID: a740e967-1fd8-4c17-882b-261eb1230fc0 - The feminization of poverty: A critical analysis of Bones (1988) and The Uncertainty of Hope (2006).
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70
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ID: a8dfacbf-5271-4266-9baa-24c3e98cb004 - A content analysis of literary evidence of slave trade in Zimbabwe focusing on Zimbabwean women’s trafficking to Kuwait.
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70
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ID: ac299a1b-d094-40ec-8a93-96759d71a9c8 - Shifting gender roles: A critical analysis of Tsitsi Dangarembga’s Nervous Conditions (1988) and Petina Gappah’s An Elegy for Easterly (2009).
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70
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ID: f1e7b143-1487-4bf2-ab18-943a42ff8edb - The liberating role of stand up comedy in exposing socio-political concerns: an analysis of Kate William’s Katepakalypse and Trevor Noah’s That’s racist
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69
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ID: 99017207-585a-4643-a9e8-8da2f51a84ad - Contesting the feminist paradigm in Tsitsi Dangarembga’s texts: an africana womanist reading of She no longer weeps, nervous conditions and the book of not
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68
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ID: 8b3ab274-89a2-48ef-bde0-ce6adb93f575 - Zimdancehall: a rising platform in addressing socio-political injustices through lyrics.
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66
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ID: 67bf5472-ea86-4685-b51d-0193fc9a36ce - A critical analysis of prisons as discourse communities: an examination of Whawha prison complex.
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63
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ID: cba1b8af-b8ee-4856-b999-1d16486f3b71 - WhatsApp coup jokes and the dialogue on Zimbabwean politics
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63
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ID: 42a102a7-2830-43fb-99cc-52a9f0c42801 - Mama Jack and the Spectre of makwerekwere
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62
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ID: 4ea62021-cf0e-4e4d-869f-965a5b979404 - The rise of ‘the Joshua generation?’: perspectives and attitudes on Facebook activism in Zimbabwe.
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62
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ID: 6f8dc5d9-f7fa-4b18-9c54-49a2aa8ffc66 - WhatsApp jokes and the dialogue on Zimbabwe’s 2017 Coup
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62
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ID: 777c5e8e-c9e2-47e5-8b50-25720622bee1 - What's up with Whatsapp profile pictures and statuses ? a multimodal approach
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62
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ID: c89d6e61-d113-4068-8789-cef471f7e38f - ‘Remaining a man…’ representations of the constructions of men and masculinities in contemporary Zimbabwean literature: an analysis of Tagwira’s The uncertainty of hope (2006); Chikwava’s Harare north (2009) and Nyota et al’s Hunting in foreign lands (2010).
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62
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ID: dcb063ca-dd8a-4762-90ba-b44707c85b77 - Through a Charged Field: Authoritative Discourses and Dialogism in Solomon Mutswairo's Chaminuka: Prophet of Zimbabwe (1983)
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62
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ID: 32e282ca-1071-4b89-b7b0-298706ee441c - The vulnerability of both genders in HIV and AIDS narratives: a study of Lutanga Shaba’s Secrets of a Woman’s Soul (2006), The Haunted Trail by Philip Chidavaenzi (2012) and Valerie Tagwira’s The Uncertainty of Hope (2006)
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61
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ID: b3354d9c-bf95-40bf-ab15-7db3187a108a - Inscriptions of political consciousness in childhood memory in Wole Soyinka's 'Ake: the years of childhood'
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61
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ID: 5b69d950-95ae-41f1-8c64-311afc84eced - Mythicised selves: constructions of political self Identities in Nkomo's The Sun) of My Life (1984) and Tekere's 'A Lifetime of Struggle (2007)
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60
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ID: b7c0e66c-e12d-4e76-86a1-64f9bb5cb2a3 - A literary approach to the human rights discourse: the case of Zimbabwean literature
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60
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ID: d500f933-aa16-4746-9358-daba1998f125 - Monsters or victims: an analysis of the African child soldier as depicted in Chris Abani’s song for Night, Emmanuel Dongala’s Johnny mad dog and Ieweala Uzodinma’s beasts of no nation.
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60
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ID: 1b4a9e74-c98a-4c47-bd72-c91e3b60ac77 - Identity construction or obfuscation on social media: a case of Facebook and WhatsApp
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59
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ID: 72c6d10b-44ac-44a6-9b2d-c962037e3a8d - Colonial heterotopia as metanarrative in white rhodesian writing: a post-millennial reading of Peter Godwin’s Mukiwa: a white boy in Africa.
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59
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ID: 3867fac1-3919-4260-9462-930a31fe7a6c - The Simultaneity of Past and Present in Ian Douglas Smith's The Great Betrayal: The Memoirs of Ian Douglas Smith (1997)
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58
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ID: 764ca1dd-0514-4763-8ca6-60a46e0f0d86 - Contesting narratives: constructions of the self and the nation in Zimbabwean political auto/biography
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58
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ID: b23dabd4-1bda-46ca-842a-b77b98a538e6 - Feature conditioned resolution of hiatus in Chichewa
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58
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ID: d0ce8f24-e5b6-4bee-bc8b-abbdc5e7568a - The ‘reporter voice’ and ‘objectivity’ in cross linguistic reporting of ‘controversial’ news in Zimbabwean newspapers. an appraisal approach
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58
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ID: d7cc9368-d67d-422c-b89b-5654ff1f41f8 - `Subjectivity' in newspaper reports on 'controversial' and `emotional' debates: an appraisal and controversy analysis
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58
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ID: 5f576830-1a9c-46bd-9b1f-f777bb106f94 - Engaging the regime of comedy: An analysis of the representation of “blackness” and “whiteness” in Leon Schuster’s: There is Zulu on My Stoep (1993) and Mr. Bones 1 (2001).
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57
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ID: 875c6679-0173-4d87-8f0d-2a3791487599 - Shona-Ndebele symbolic ethnic violence in institutions of higher learning: an analysis of male toilet graffiti at Midlands State University
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56
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ID: 160eff09-7201-4403-ac8a-5e8c3e2ba62e - An exploration of the destructive impact of the construct of physical beauty on the African American woman. An analysis of Toni Morrison: The bluest eye (1970) and Zora Neale Hurston: Their eyes were watching God (1937)
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55
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ID: 5a801d80-48bf-439a-be21-a93c5dacf235 - An analysis of intertextual entanglements in Shimmer Chinodya’s Chairman of Fools
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55
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ID: 664ac9ae-3880-45e8-99db-5dfef1fcf40f - The search for utopia in NoViolet Bulawayo’s We Need New Names (2013).
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54
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ID: 972ac27c-63c0-4f3f-8c09-854e37d3c37b - Whitelier than white? Inversions of the racial gaze in white Zimbabwean writing
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54
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ID: 6e943130-86f7-438b-86e6-f0f261dac54a - Death, I choose
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53
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ID: 980f1a4a-8937-4fde-a8ee-5e04673e7fc5 - A critical interrogation of the themes of politics and governance in the creative works of Mlalazi and Baya’s Crocodile of Zambezi (2008), Matsa and Baya’s Super Patriots and Morons (2003), and Chifunyise’s Waiting for the Constitution (2010)
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53
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ID: d99787b3-7758-455d-8b91-79f40ed51964 - Being white in post-2000 Zimbabwe: a reading of Eames’ Cry of the Go-Away Bird
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53
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ID: 88647ae2-7990-4ccb-a2e9-ba5c29f6bf3b - A sociolinguistic analysis of graffiti written in Shona and English found in selected urban areas of Zimbabwe
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52
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ID: e4da6dc4-4874-4fcd-b23b-f71056b98901 - Representation of the Community Share Ownership Trust programme in print media analysing power relations between public and private newspapers: A study of The Herald and the Zimbabwe Independent, from 23 January to 18 October 2014.
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52
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ID: 1f1580d7-ef81-4633-bbbc-85d6ec2304fb - Perspectives of Zimbabwe–China relations in Wallace Chirumiko’s ‘Made in China’ (2012) and NoViolet Bulawayo’s We Need New Names (2013)
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51
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ID: 3ccdc5d9-44f5-4699-9674-a1ffc0e87e43 - The discursive construction of blackness on WhatsApp status post updates in Zimbabwe
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51
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ID: 515ddfd9-c3af-469c-a0ea-7bafdfc29e71 - Exploring the digital space as a site of literary creation
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51
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